NewCents05 said:uhh eric b... last sentence... change it...
what wrong with it?
NewCents05 said:uhh eric b... last sentence... change it...
Snake-Eyes said:^ If you're so high and mighty, how exactly is he wrong?
003 said:Upsampling the sample rate causes the sound quality to be degraded, and to worsen it, the DSP that does the upsampling does a crappy job of it to boot, resulting in an audible degrading of the sound quality.
003 said:It is similar to the effect you get when converting between lossy formats.
Upsampling, or modifying the original signal will always result in a loss of quality.
This poses the question of "Well, is it a difference you can even hear"? The answer is yes. There are some things you can do to the signal that probably would not have any effect audible to your ear, but any kind of resampling is not one of them.
If you read that article I linked to, you would know that bit depth is the number of bits you capture in an audio stream.
You would also know that sample rate is the number of times the audio is measured (sampled) per second.
So when you resample the audio, the DSP has to re-sample (re-measure) the bits of audio per second.
You can not perfectly resample something. You can do it very well, depending on the equipment you are using, but not perfectly. And the Audigy2 is not something that even does it "good". It is sub par at best. To do it very well can be extermley expensive, and yet still never perfect.
So now you may be asking, "Well then why did creative use a DSP that does not support a 44.1KHz sample rate?"
That, my friends is the big question. That is the major mistake made on the Audigy 2. It is a mistake that was not made on the x-fi.
003 said:Lets get something straight here.
48Khz, and 44.1KHz are the sample rate of a recording.
16-bit, and 24-bit are the bit-depth of a recording. They are two unrelated things.
Now, lets understand something here. CD Audio is recorded with a 16-bit bit depth and a 44.1KHz sample rate.
The Audigy2 does not support putting out a true 44.1KHz signal, so it has to upsample CD Audio (and any other sound with a 44.1KHz sample rate -- pretty much everything now) to 48Khz. Again, this is sample rate here, not bit depth. The bit depth remains 16-bit.
Upsampling the sample rate causes the sound quality to be degraded, and to worsen it, the DSP that does the upsampling does a crappy job of it to boot, resulting in an audible degrading of the sound quality.
I don't know how much clearer I can make it.
If you still can't understand the difference between sample rate and bit depth then you need to spend some time reading this article:
http://www.tweakheadz.com/16_vs_24_bit_audio.htm
Also, EricB, please explain to me how he was dissing 16-bit audio, when he didn't even use the term 16-bit in his post, or 24-bit for that matter.
Snake-Eyes said:One, i never claimed to know any of that, or to support either claim. Two, i wanted someone to explain how he (EricB) was wrong, instead of just blindly saying he is wrong. Three, so the lower the sample rate the better the quality?
No, but today the standard is pretty much 44.1KHz, and upsampling to something higher will always degrade the quality.Snake-Eyes said:Three, so the lower the sample rate the better the quality?
The only fool here is you. I know what I am talking about. You do not. SDPIF does not bypass the DSP, it bypasses the DAC.EricB said:if I'm right and the sdpif is just a simple bypass, like it is suppose to be
I'd say let's ban the fool for wasting our time this weekend